Peter Frampton Do You Feel Like We Do

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Published on February 26, 2025 by

English rock musician, singer, songwriter, producer, guitarist and multi-instrumentalist. He was previously associated with the bands Humble Pie and The Herd. Frampton’s international breakthrough album was his live release, Frampton Comes Alive!. The album sold more than six million copies in the United States alone and spawned several hits. Since then he has released several major albums. He has also worked with David Bowie and both Matt Cameron and Mike McCready from Pearl Jam, among others. Frampton is best known for such hits as “Breaking All The Rules”, “Show Me the Way”, “Baby, I Love Your Way”, “Do You Feel Like We Do”, and “I’m in You”, which remain staples on classic-rock radio. He has also appeared as himself in television shows such as The Simpsons and Family Guy. Frampton is known for his work as a guitar player and particularly with a Talkbox and his tenor voice.

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Peter Frampton Do You Feel Like We Do

By the age of 12, Frampton played in a band called The Little Ravens. Both he and David Bowie, who is three years older, were pupils at Bromley Technical School. The Little Ravens played on the same bill at school as Bowie’s band, George and the Dragons.Peter and David would spend time together at lunch breaks, playing Buddy Holly songs. At the age of 14, Peter was playing with a band called The Trubeats followed by a band called The Preachers, produced and managed by Bill Wyman of The Rolling Stones.[6] He became a successful child singer, and in 1966 he became a member of The Herd. He was the lead guitarist and singer, scoring several British pop hits. Frampton was named “The Face of 1968″ by teen magazine Rave. In early 1969, when Frampton was 18 years old, he joined with Steve Marriott of The Small Faces to form Humble Pie. While playing with Humble Pie, Frampton also did session recording with other artists, including: Harry Nilsson, Jim Price, Jerry Lee Lewis, as well as on George Harrison’s solo All Things Must Pass, in 1970, and John Entwistle’s Whistle Rymes, in 1972.[10] During the Harrison session he was introduced to the “talk box” that was to become one of his trademark guitar effects. Solo career

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